{"id":2,"date":"2024-08-23T10:28:46","date_gmt":"2024-08-23T10:28:46","guid":{"rendered":"https:\/\/www.tassaneealleau.com\/?page_id=2"},"modified":"2024-12-04T09:03:21","modified_gmt":"2024-12-04T09:03:21","slug":"bio-artiste-plasticienne-vegetal","status":"publish","type":"page","link":"https:\/\/www.tassaneealleau.com\/?page_id=2","title":{"rendered":"Bio"},"content":{"rendered":"\n

Artiste plasticienne \/ Autrice – V\u00e9g\u00e9tal – Racines – Atelier Les Myriades<\/strong><\/h2>\n\n\n\n
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\u00a9 photographie : Tassanee Alleau<\/figcaption><\/figure>\n\n\n\n

CV<\/a><\/strong><\/p>\n\n\n\n

Pour me contacter : tassanee.alleau<\/a> @ ymail.com ou par t\u00e9l\u00e9phone<\/a>. <\/p>\n\n\n\n

Mon Instagram : @ jesuismyriades<\/a><\/p>\n\n\n\n

Tassanee Alleau, artiste plasticienne, autrice, jeune chercheuse en histoire, install\u00e9e en Touraine, sp\u00e9cialiste du v\u00e9g\u00e9tal, des plantes, propose une recherche et des ateliers de pratiques collectives et concr\u00e8tes sur les \u00e9cologies.<\/p>\n\n\n\n

N\u00e9e en 1991 \u00e0 Kandal au Cambodge, l\u2019artiste a longtemps cherch\u00e9 \u00e0 trouver sa voie et \u00e0 repousser les limites du corps contraint. Dipl\u00f4m\u00e9e de l’\u00c9cole sup\u00e9rieure d’Art et de Design de Tours (ex-Beaux Arts) en 2020 et en doctorat d’histoire au Centre d’\u00e9tudes sup\u00e9rieures de la Renaissance, elle m\u00e9lange ses diverses passions, persuad\u00e9e que c’est dans un parcours pluridisciplinaire et atypique, sem\u00e9 d’emb\u00fbches et d’\u00e9checs, que l’on peut briser les carcans, d\u00e9construire son regard et retrouver ses origines pour mieux penser le monde. Qu’elle se trouve en milieu acad\u00e9mique ou dans un milieu plus informel, elle a d\u00e9cid\u00e9 d’adopter une position d’artiste-chercheuse, de chercheuse-artiste, toujours curieuse et d\u00e9termin\u00e9e. Elle pr\u00e9f\u00e8re poser des questions et proposer des hypoth\u00e8ses plut\u00f4t que d’apporter des r\u00e9ponses.<\/p>\n\n\n\n

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Sa vision<\/strong><\/p>\n\n\n\n

Cr\u00e9er, c\u2019est\u2026 s\u2019interroger sur la mani\u00e8re qu\u2019a la m\u00e9moire de cr\u00e9er les souvenirs \u00e0 la fois fragiles et \u00e9ph\u00e9m\u00e8res et solidement ancr\u00e9s et tenaces : comme autant d\u2019aveuglements et de r\u00e9v\u00e9lations. Les dessins, la peinture, sur des supports tels que le bois, le tissu ou le papier, les travaux d\u2019\u00e9criture, les travaux sonores, les photographies, ne suivent pas un plan r\u00e9fl\u00e9chi, plut\u00f4t l\u2019enracinement de la m\u00e9moire dans un enchev\u00eatrement de rhizomes, d\u2019images et de symboles labyrinthiques, dont on n\u2019a pas forc\u00e9ment conscience, mais qui restent \u00ab en -nous \u00bb. C\u2019est aussi chercher des moyens de cr\u00e9er des archives, des formes de la m\u00e9moire et de l\u2019oubli, \u00ab im-p\u00e8re-manentes \u00bb, pour les retrouver ensuite. Cet enchev\u00eatrement prend la forme ambigu\u00eb de cellules-mondes, de paysages mentaux, organiques, v\u00e9g\u00e9taux, oniriques, sensibles. \u00c0 travers cette pratique, se posent des questions sur l\u2019identit\u00e9, les origines biologiques, culturelles, sociales et affectives, les territoires de la \u00ab m\u00e9taphysique \u00bb croisant ceux du biologique et la capacit\u00e9 du corps humain \u00e0 faire le lien entre souvenirs v\u00e9cus et non v\u00e9cus, visibles et invisibles : comme si d\u2019autres vies nous avaient pr\u00e9c\u00e9d\u00e9-e-s. \u00ab Avoir l\u2019impression \u00bb, le \u00ab d\u00e9j\u00e0 vu \u00bb, l\u2019\u00ab inn\u00e9 (-xistence) \u00bb et l\u2019acquis, autant de notions pour saisir le lieu inconnu, la terra incognita de nos origines.<\/p>\n\n\n\n

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Ses questionnements<\/strong><\/p>\n\n\n\n

Comment l\u2019esprit trace-t-il les limites et la circonscription de sa propre m\u00e9moire\u202f? Derri\u00e8re la fine ligne qui contourne les souvenirs, y a-t-il forc\u00e9ment l\u2019oubli comme ab\u00eeme ? Peut-on circonscrire cette aire ou bien la d\u00e9passer : se souvenir de choses que l\u2019on n\u2019a pas vraiment v\u00e9cues ? Les trous noirs et les absences prennent la forme d\u2019amoncellements cellulaires dans un dessin \u00e0 la fronti\u00e8re du r\u00eave et de la r\u00e9alit\u00e9. \u00c0 la mani\u00e8re d\u2019une \u00e9criture automatique, sur des supports de papier, de bois ou de tissu, au gr\u00e9 des pens\u00e9es, sans sch\u00e9ma particulier, ou du moins pas encore \u00ab conscientis\u00e9 \u00bb, le dessin, comme la peinture, ont des allures de cartographie r\u00e9miniscente, lointaine, confuse, \u00e9tal\u00e9e dans le temps, changeante, impermanente, encr\u00e9e l\u00e0, se parant de traits fugaces, \u00e0 un moment donn\u00e9 sans chercher \u00e0 se reproduire, en exp\u00e9rimentant, en t\u00e2tonnant. Pourtant, le geste r\u00e9p\u00e9titif semble guider l\u2019organisme vers sa propre m\u00e9tamorphose et la m\u00e9moire para\u00eet se recr\u00e9er de toute pi\u00e8ce autour de peurs, de silences, d\u2019interdits et de mensonges. V\u00e9g\u00e9tal foisonnant, croissant, d\u00e9croissant, le dessin se transforme sur la surface et s\u2019enracine.<\/p>\n\n\n\n

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English version <\/em><\/strong><\/p>\n\n\n\n

Her Bachelor’s degree in English, followed by her Master’s in History from the Centre d’\u00e9tudes sup\u00e9rieures de la Renaissance, alongside her studies in art, have cultivated a profound engagement with literature, history, and artistic expression. Through these academic pursuits, she has learned to immerse herself deeply in books, novels, plays, and poems, while also critically analyzing them. With a penchant for playing with words and colors, she channels her emotions and thoughts into writing poetry and creating visual art. Her thirst for knowledge is unquenchable, driving her to expand her horizons continuously.

Art serves as her sanctuary, a place from which she observes and interprets the world around her. Yet, she is not content to remain within its comforting confines; rather, she is eager to embrace challenges and venture into uncharted territories.

Although her initial attempt at medical school, aimed at a competitive exam, ended in failure and disappointment, it marked a profound turning point in her life. This setback led her to discover a newfound fascination with medical and biological imagery. Nature, in particular, captivates her, inspiring her artistic explorations of both inner and outer landscapes. Her passion for botany and traditional medicine has driven her to delve into the history of natural sciences.

With the completion of her Master of Arts degree and her current pursuit of a PhD, she has embarked on a transformative journey, discovering the joys of research and scholarly inquiry. Her fascination with the past fuels her quest for insights that can illuminate the path to a brighter future. Through her studies in the humanities, she has honed essential qualities such as patience, persistence, precision, and a commitment to excellence.<\/p>\n\n\n\n

Positivity and introspection<\/em><\/strong><\/p>\n\n\n\n

Positivity and introspection are pivotal in her quest for inner peace. She has forged a path adorned with vibrant hues, poetic expression, creativity, and optimism. Her journey is characterized by ongoing exploration and aspiration. The realms of science, history, literature, and art have profoundly influenced her daily artistic practice and creative process.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tassanee Alleau, artiste plasticienne, jeune chercheuse sp\u00e9cialiste du v\u00e9g\u00e9tal <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.tassaneealleau.com\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tassaneealleau.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tassaneealleau.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tassaneealleau.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tassaneealleau.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":11,"href":"https:\/\/www.tassaneealleau.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":608,"href":"https:\/\/www.tassaneealleau.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/608"}],"wp:attachment":[{"href":"https:\/\/www.tassaneealleau.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}